
Dystopian Fiction
[From the Greek root dus, meaning bad, and topos, meaning place]
What is Dystopian Fiction?
Dystopian fiction is a unique form of speculative fiction, tied closely with science fiction, that arose mainly as a counter to utopias and utopian fiction. As Jill Lepore, a professor of history at Harvard, explained, “dystopias follow utopias the way thunder follows lightning” (Lepore, 2017). However, whereas utopias describe ideal worlds, dystopias portray societies in which utopian values have disintegrated into dehumanizing (MasterClass Staff, 2021). In utopian societies, everything has gone right; in dystopian societies, everything has gone wrong. Lepore simplified the sentiment, stating “a utopia is a paradise, a dystopia a paradise lost” (Lepore, 2017). The perfections often seen in utopias are distorted in a Coraline-esque fashion in dystopias, with freedoms becoming oppression and choices becoming forced.
Interestingly, dystopian fiction is often considered more likely than utopian fiction (Atwood, 1982); people can more easily believe in a world that has been destroyed than one that is perfect. Margaret Atwood wrote on this phenomenon in the eighties, saying that “utopias we can only imagine; dystopias we’ve already had” (Atwood, 1982). This also highlights the ability of dystopian fiction to mirror reality, albeit often in perverse ways, and force the readers to address potential issues within their own communities (Ames, 2013). In this fashion, dystopian fiction also often serves as a warning about the dangers of current policies, leaders, and structures in the time of its production.
Dystopias are heavily reflective of the present, “about what’s happening right this minute in the stormy psyche” of the reader (Miller, 2010). As Lepore said, “pick your present-day dilemma; there’s a new dystopian novel to match it” (Lepore, 2017); as society progresses, so do dystopias. A dystopian novel written during the cold war may focus on a post-apocalyptic world of nuclear annihilation (like Z for Zachariah by Robert C. O'Brien) or a world in which a corrupted form of socialism dominates (Animal Farm by George Orwell). Comparatively, a dystopian novel written in industrialization and the technology boom may speculate on the dangers of digitizing everything (like Ready Player One by Ernest Cline) or scientific inventions exceeding morality (like Brave New World by Aldous Huxley). A mirror through which readers can examine society, dystopias are exaggerated, horribly flawed worlds that serve to counter the naive idealism of utopias.
Common Characteristics and Themes:
Beyond including a catastrophic near-future, dystopias often have common themes, characters, and criticisms of society that remain consistent over time, despite more specific differences. The top five characteristics are government control (George Orwell’s 1984), environmental destruction (James Dashner’s The Maze Runner), technological control (Philip K. Dick’s Do Androids Dream of Electric Sheep?), survival (Rick Yancey’s 5th Wave), and loss of individualism (Lois Lowry’s The Giver). The table below describes more detailed traits.
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Excessive measures to police society; unjust laws
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Pressure to conform
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Media manipulation and propaganda
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Measures to cover up flaws and lies within society
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Attempts to erase or revise society's history
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Suppression of the arts
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Limited or complete lack of individual freedom
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Division of people into privileged and unprivileged groups
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Little hope for change
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Human lives that are rote, meaningless, or inhuman
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Economic manipulation
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Flawed, misunderstood, or abused advances (science, technology)
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Suppression of emotions
(Information from Ostenson & Scholes, 2013)
Post-2000s YA Dystopian Fiction
An important facet of dystopian fiction, and the one in which I focus on in this research, is post-2000s Young Adult (YA) dystopian fiction. This subgroup still includes similar themes to those listed above but with a focus on youth and teenagers and skyrocketed in popularity in the early 2000s. The Hunger Games is most often credited with this boom (Miller, 2010), with the fictional country of Panem by far the most visible example of a YA dystopia. Prominent themes in YA dystopias include strictly police societies, divisions between privileged and underprivileged, inhumanity, isolation, and relationships (both romantic and platonic), falling under the broader ideas of society’s inhumanity and agency (Ostenson & Scholes, 2013). The shift to these themes is theorized to have been inspired by 9/11 and the following security controls, as well as the growing concerns in modern society about reality television, inaction, and the wealth gap (Ames, 2013).
Although teenage characters have been featured in dystopias since Lord of the Flies came out in 1954, this focus on youth took off after Vietnam and Watergate sewed distrust in adult institutions and authority (Lepore, 2017). In post-2000s dystopias, “how messed up grownups are is a hallmark” of the genre and there is a focus on teen-angst and suffering (Nadworny, 2018). This contributes to these novels’ popularity among younger populations; as Jon Ostenson, a researcher in dystopian literature at Brigham Young University, explains “teenagers see echoes of a world they know” (Nadworny, 2018). As teens move into adulthood, they begin to recognize that there is an ethical gray area, and YA dystopias display that in a safe, manageable environment. Psychologically, dystopian fiction is also a useful tool for stimulating the developing adolescent brain and introducing the bigger emotional and political ideas (Nadworny, 2018). The distinction from more general dystopian fiction is relevant in relation to my research, especially since The Hunger Games trilogy is the hallmark of YA dystopias from the 2000s.
More Examples
The Hunger Games is often considered the spark that lit the fire of current dystopian fiction, and there were many novels of a similar vein that followed. They all contain aspects discussed above and appeal to younger audiences. If you’re interested in investigating post-2000s dystopias further, I recommend researching some of the titles below:
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Uglies by Scott Westerfield
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Matched by Ally Condie
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Feed by Matthew Tobin Anderson
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Divergent by Veronica Roth
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The Selection by Kiera Cass
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The Grace Year by Kim Ligget
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The Maze Runner by James Dashner
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Red Queen by Victoria Aveyard